Thursday, August 08, 2013

Talofa lava!



Dogs relaxing at Tafatafa Beach

I've been away and I've come back. Wellington, Samoa, Wellington. Cold, hot, cold. Busy, lazy, busy. Data, no data, 200 hundred emails, 187 facebook notifications and lets just forget about tweets. Lets think about treats instead. Like Lady Finger bananas, so sweet and tangy, that you just can't help but devour a whole bunch. Or ripe papaya, the colour of sunset. Or sunsets that colour the sky with liquid gold and pineapple Pina Coladas. Stop me now before I delve into more purple prose!

I've washed the sand out of my toes, the salt water out of my togs and scanned a few images from my sketchbook for you.

Waiting for the ferry


There's no hurry about anything in Samoa and I loved watching people just sitting and waiting patiently. Rounded ladies in brightly printed cotton, hair pulled into in top knots, fanning themselves gently. I fanned myself quite a bit too- it was hot and I realised I really didn't need to have bought a couple of cardigans with me- not even for evenings. One's wardrobe is much cheaper in the islands...




I was amazed to see graves prominently placed in front yards, sometimes even set into the porch of houses. Family, even when dead, are close by. The tombs provide a useful spot for drying teeshirts, lava lavas and palm leaves. I saw the odd dog and rooster perched on top. Pigs free range around them and on this occasion; a couple of girls deep in gossip, legs swinging in the sunshine.




On the 'Lady Samoa' ferry from Savai'i this lady had a wonderful hair decoration that matched her top, and a pale pink shawl. She looks asleep, but she was actually avidly texting. On the TV screen in the ferry lounge, there was a nature documentary about panda bears in China. The male panda was finally enticed down from his hideaway to meet his black and white date. The screen blacked out as 'the male mounts the female' and came back to full screen when the pandas had seperated. Next on was a movie called 'Predators' full of grotesque killings, dismembered bodies and nasty beasts with terrifying teeth. It played in full, uncensored.

I've been looking at tablets since I got back. I'd quite like one for many and various reasons- but really and truly just for checking emails and facebook. The sales guy said that the 8 inch one with a wee stylus and all the graphic apps was great for the creative on the go. 'Look' he said, 'you can draw and colour and save it.'
I said 'Oh, I have one of those' and pulled out my Moleskine and watercolour box from my handbag.

He let me keep browsing...








Saturday, July 20, 2013

Blown off Course- creative adventuring




from The Silver Thimble Story Book by Rie Cramer

I was asked to speak at the NZLA conference this past week and I wondered what direction I'd take. I decided upon 'Blown off Course; diverting adventures in Children's Literature.'  I wanted to impress upon people how a small girl encouraged in reading and expressing herself both through words and pictures could end up on a myriad of creative paths, often by accident. 

At five years old, I was all set to be a nun (inspired by the Sound of Music) but realised that a) I was not Catholic and b) I would not necessarily be allowed to wear makeup, jewellery and great frocks. I had to rethink my career. At this time I had in my possession (and still do) The Silver Thimble Storybook by RieCramer; retellings of Hans Christian Anderson tales with exquisite illustrations.  I copied these drawing again and again to see how they were done- and it was the first book I can remember reading 'All by myself'. My parents also provided me and my sisters with weekly comics and annuals. I learned to read and interpret visual and written text through the English editions of Robin, Bunty and June. 

I drew and made things all the time as a kid; it was a place of comfort for me, and by the time I was in high school I knew I wanted to be an artist, but didn't want starve in a garret- I wanted to be rich and famous. So on leaving college I went to Wellington Polytech Design School where I majored in illustration and advertising. I was all set to go to Auckland and be a junior art director in a flash advertising agency and make lots of money but instead I fell in love and followed my heart, not my plan and moved to Christchurch. 

I couldn't get a job anywhere- the old case of not enough work experience for the cool jobs and too creative for the uncool jobs. So I went freelancing. I did a bunch of piddly jobs, including illustrating water wings for dogs and designing posters for friends. I knocked on doors, talked to every designer and illustrator in town, took my portfolio to ad agencies repeatedly. Luckily I was young and cute so the art directors didn't mind giving me the time of day. I was broke but looked good in op shop chic.

Just when I was about to give up and get a sales job at Whitcoulls, a copywriter from What Now called and asked if I would like to art direct a club magazine. (I had been doing a few graphics for the programme). My motto is that if something is offered that is above your skill set, then someone has offered it because they see your potential. So say yes. You'll learn on the job.I art directed, illustrated and sent things off to print on that mag for 2 years until they ran out of budget. Then the producer asked if I'd like to do art and craft spots on the show (because of all the arts and crafts bits I did in the mag) and I said..yes. I'd never done work to a camera before and there was plenty to learn. That became 7 years of regular TV spots. In that time I had 2 babies, tutored design and illustration at Christchurch Polytechnic, illustrated children's books and did lots of illustration for advertising and design companies. 

Eventually I got fed up with TV land (yes you can) and resigned my contract. One day I wrote a poem and doodled an illustration and send it to Next Magazine with a note saying that I saw they didn't have a regular verse column and this would be a good idea. The editor took it up and this became an 8 year monthly column.  At this time I also started entering the World of Wearable Art.

In this time we moved to Wellington, I wrote a junior fiction novel (Verity's Truth), moved to Bristol for 2 years and moved back to Wellington where upon I did a Masters in Creative writing at the IIML. As part of my work placement requirement I did a stint at Weta working on Jane and The Dragon coming up with storyline ideas. Then I decided on my bucket list was working on making things, so politely campaigned  Richard Taylor with my Wearable Art portfolio until he gave me a job in the workshop on The Lion The Witch and The Wardrobe. I sewed metres of fabric and riveted things and drank a heap of coffee. In this period of my career, I wrote and had a two more junior fiction novels published with Scholastic, Janie Olive and Glory.

Film work is exhausting and I left to write another novel and illustrate more books. Then I was asked to come and talk about wearable arts on The Good Morning Show and do a craft demo. This led into 6 years of weekly spots; fantastic stuff. In the past few years, I've worked on The Hobbit as a costume illustrator, had garments in every WOW show (since 1995) - WOW have toured me around the countryside to give inspirational talks to designers, I've run workshops at schools and festivals, illustrated more books- the last two in particular I'm really proud of; The Red Poppy by David Hill and Far Far From Home by Elizabeth Pulford.

I'm nowhere near rich, I probably never will be. But I'm a little bit famous and I will never die wondering. I have a ridiculously diverse portfolio and CV which has made me unemployable in the ordinary world. And that's o.k, because being creative isn't an ordinary thing to be.I've found being blown off course each time I set sail, one can transform from  a mere deck hand into an adventurer. In literature: reading, writing, poetry, blogging. In commercial art and illustration. In costume design and props making, in film, television and radio. In teaching and handing on the knowledge you've gained to new, young explorers in the worlds ocean. 

In Wearable Wonders, my new book, all my past creative experience comes together. It is a safe ship. I hope to interrupt linear navigation and have young people set sail, following their hearts, not the map drawn up by others. To find courage in the stormy seas and serenity in the calm waters of a creative life. 



­­




Sunday, July 07, 2013

Wearable Wonders is launched!

I had the best day ever on Friday- launching my new book on my birthday no less! I had to dress up of course, purely to wear the goggles featured in the book.
'Wearable Wonders' published by Scholastic is available from a variety of booksellers including my favorite local The Children's Bookshop. The wonderful Barbara Murison has written a nice review of it here at Around The Bookshops.


photo courtesy of Maricia Churchward


Saturday, June 15, 2013

July School Holiday Workshops






I've got a few workshops coming up in the July School Holidays so thought I'd let you know about them here as well as on my facebook page


Firstly in Wellington with CapitalE.

Award winning WoW designer and TV presenter Fifi Colston will be running 4 special workshops for us this July Holidays. Learn how to design and make some special wearable art. The workshops will be run to coincide with the publication of her new book Wearable Wonders. Where: Museum of Wellington City & Sea and Carter Observatory Dates: MoWCaS  Mon 15 July or Carter Fri 19 July Age: 8 - 14yrs Times: 10.30am - 1pm/2pm - 4.30pm Price: $25 (includes all materials) 


 and then in Christchurch for Kidsfest 

Layers of Brilliance, Creative Collage

Wed 24 Jul 2013 @ 9:30am– 12pm Wed 24 Jul 2013 

Create exciting textures from paint and paper with Fifi Colston, writer, illustrator and TV presenter. Fifi shows you how she did the illustrations for 'Far Far From Home' and will guide you through making an artwork of your own.


Wearable Wonders

Wed 24 Jul 2013 @ 1:30pm– 4pm Wed 24 Jul 2013

Paint, glue & tape time - make a wearable art piece. Fifi Colston writer, illustrator and Wearable Art Designer will help you create your very own WOW garment. Be it a helmet, skirt or crazy arm decorations, you can use a favourite book character as your inspiration.

Plus I'll be running workshops for The New Zealand Post Children's Book Award Festival this Monday and Tuesday for selected, participating schools- we'll be making fun art to celebrate Ned Barraud and Gillian Chandler's wonderful shortlisted book 'At The Beach'. 
Then I'm off to St Peter and Paul's School to give a talk on Wearable Art and hopefully inspire the students to come up with wonderful ideas.

And on Sunday 23rd- look out for a fun craft I'll be making from my new book on What Now.

Gosh, busy...love it that way!


Monday, June 10, 2013

Luxury Problems



I'm making up for not blogging for ages with a REALLY long post  :)

Luxury Problems:
Cleaning the Bathroom

     "There's mould around the plug hole"
Parting shot from husband as he emerges from the ensuite wearing his usual Sunday morning attire- a wetsuit.
      "That'll be because no-one has cleaned it for 4 weeks," say I, thereby implying that somebody should and it shouldn't be me.
      "I cleaned the loo last time," he says pulling the rubber up over his arms. I know this means liberal amounts of pine scented cleaner squirted around the bowl and an industrial strength scrubbing with a sad looking brush from which most bristles are missing. The surrounding areas of seat, lid and that particularly nasty bit at the back where pee mingles with  pubes and the whole thing looks like a snapshot from the Young Ones, is not addressed.
      "Do me up," he says.
The zipping up of the wetsuit is a Sunday morning ritual. I am usually awoken from a dream where Daniel Craig is offering me the opportunity of a lifetime by the words "I'm ready."  This gets confused in my sleepy state and groping for my glasses, I arise unclothed to the man dressed as a seal before me. It is not Daniel. I am always slightly disappointed, as he would be when confronted with a middle aged woman clad only in eyewear and sporting a bad case of bed hair. Unless he was 75, in which case I'd be an alluring bit of early morning crumpet.  I zip up my husband and wonder briefly what he'd do without me.  I like to think he is just testing to see if I am still alive.

The cleaning of the bathroom is something that I feel should just happen by itself. If it gets filthy enough surely it will start to shed the dirt like snake and it's skin, leaving just a trail of scales that can be brushed away into a handy dustpan, leaving a shiny new surface glistening in the morning sun. I've always thought I was cut out for something better; that I shall never be famous for white tile grout. For a while when we were feeling flush, if you'll excuse the bathroom pun, I paid someone to do it. Despite the feeling that I was born to higher things in life (though coming from distinctly British working class roots I have no idea why) the sparkling tiles made me feel guilty and like a complete twat for  'having a cleaner'. Like I was somehow superior. I wonder if Lady Gaga ever feels like that? It's a pretty safe bet that she doesn't scrub the dunny herself, but if she did she'd work it into a video with fabulous costumes and a bevy of hot boys in tow. I might be more inclined if that was the case.

After lengthy internal debates with myself over a cup of tea in bed, about the unfairness of it being 'my turn' to get out the Spray'n Wipe (I lose my own argument due to husband having mown the lawns, done the washing and the vacuuming as well as cleaning the rangehood), I face the task at hand. All I really want to do is have a long shower, now that the water restrictions are less imperative, and think about who to hit up next for work, or about the lemon curd tart in the fridge which I hope nobody has eaten. Instead, the sink fungus beckons. I scrabble about for scouring agents, glass cleaners, cloths, scrubbers and Exit Mould.  I know in my heart that all you need is white vinegar and baking soda, but I feel better armed with environmental pollutants. 

There is a collection of bench clutter to deal with. All the glossy mags showing exquisite bathrooms do not have people using them. How can they? Where for instance are the half used tubes of cold sore ointment, moisturisers, dental floss, shaving cream and painkillers? Or the hair product that never works except at the hairdressers where you shelled out $40 for it because it made you look like Helen Mirren at the Academy Awards. There is the electric toothbrush that collects layers of yellowed plaque around its base, a magnifying mirror that zooms into blackheads like a forensic investigation computer programme, and a jar of sheep fat which I am told is lanolin for wetsuit chafing avoidance. My husband smells like an old ram on a Sunday morning. I worry that sharks will get a taste for mutton.

The bathroom floor itself is small in area with underfloor heating which I refuse to let the family turn on except for one month in July which coincides with my birthday. I feel that the outrageous power bill resulting is in lieu of a present. Even from a distance the dust and hair on the floor is visible. Where did the dust come from? I'm not an old lady with Lily of the Valley talcum powder. The hair is definitely not mine. I shave my armpits and have only one small other patch left to shed. Which leaves either my furry chested husband or a visiting werewolf the culprit. I feel like Nicole Kidman in 'Fur' playing Diane Arbus with a blocked drain courtesy of her hirsute neighbour. 

Then there is the shower. The best way to clean it is whilst you are in there. Naked. This way you don't get your clothes wet and you can wash the cleaning agents  off yourself at the same time. I wonder if Hitchcock's wife  wrote that scene in Psycho? It might have been her turn to clean the shower. I have tried many and various products that promise miracles without scrubbing. They lie. Stabbing is too good for them. The only way they work successfully is if you use them without your glasses so you cannot see the result. Wearing glasses in the shower is pointless due to the steam, and if Daniel Craig DID happen to drop in, you wouldn't be able to see him before he copped a look at you with your fogged up goggles and anti bacterial sponge.  I may be the only woman in New Zealand who puts contact lenses in only to clean the shower. This has the unwanted benefit of being able to look down at yourself with clear vision and get distracted by scouring the flaky skin on your legs instead of the tiles. This is best done with body exfoliation gloves.

I've found that hands and knees are the trick. Get down on them with the gloves on your hands and deal to the shower floor. As I'm doing this, it occurs to me if I had a video camera I could film it. There are people who would pay good money to see this kind of thing. I could set up a pay for site called 'Scrubbers' , or Youtube clips.  They would go viral and I could monetise the 3 billion views. Then I could pay for someone to clean the bathroom for me and I'd get over feeling spoilt. 

I leave the shower and bathroom in my excitement to search out recording equipment on Trademe. The plug hole still has mould around it.


Monday, April 29, 2013

Wearable Wonders!



It's here, my book! I have spent 5 months over spring and summer on it and it is chock full of tips, tricks and ways to go about coming up with ideas, materials and construction of a Wearable Art piece. This is no 'How to make a dragon costume and here is the pattern' book. This is about how to find ideas and resources, inspiration and team. It's for the young designer- aged 10-14 and their teachers, parents and caregivers.

It's out in July, with Scholastic, and this is the first crafty book I've done since Fifi's Crafty Arts years ago. Golly, I'm so chuffed! Hope you will be too :)





Saturday, April 20, 2013

Remembrance Poppy Template




I've updated my poppy template from last year in time for ANZAC Day. Here it is, feel free to use it and make a field full of poppies for remembrance. I'd be thrilled if you made a poppy and posted a photo of it to my facebook page.  I might even be inclined to send a copy of the book to the best picture :)

If you don't see The Red Poppy in a bookstore near you, you can order it online here or here.
And below is a wee video on how to make one. Hope you enjoy it! You can also see it on Youtube here :)


Sunday, April 14, 2013

Baby Blues




I've been down in my cups lately; a combination of factors in our household. I can most often get through all the hurdles by doing the thing that keeps me sane. Writing, drawing and making things. Happy and bouncy with a million things on the go and juggling them all with heart racing and eyes gleaming at the challenge, my days are always too short. I fear that I will die before I get to finish all the things I want to do in life; and the women in my family live a long time- so my demise isn't imminent. But right now I can't get motivated at all and I sit staring out the window feeling blue.

Surrounded by writery and illustratory friends last night over a pot luck dinner (after Melinda Syzmanik's book launch of 'A Winter's Day in 1939' which you MUST buy for your kids and then read it yourself) I realised why I have felt so deflated and unable to build enthusiasm for my next project. Creating a book is a very visceral thing. You pull out everything from your heart and soul and pour it in; there is hard work, self doubt, more hard work and more self doubt. You get it done and send it off and wonder if this baby will grow to be a good and useful member of society or be the victim of cot death before it has a chance to focus and smile. Writer friends understand this. They know that being a creative is not necessarily a happy, rose filled vocation. We are driven; and sometimes that sends us a little bananas. Luckily we all sit in same fruit bowl.

The latest book which is now off to print took me 5 months all through spring and summer. A shortish gestation really but is the culmination of years of my art practice. It's the sharing of 80% of everything I know to date- the other 20% is too advanced for the age level of the intended readers. But it took 100% of my effort; gathering resource, writing, illustrating, creating, photography, digital work and revisions. My head feels empty now- like I've transferred the contents of my hard drive to a cloud and lost the password.
I'm worn out after the labour and still in a tired haze. I did too much too soon after giving birth and possibly have a little post natal depression. I'm going to cut myself a little slack and scale back on getting back to work in a hurry. The book is due in July by which time I'll be full of motherly love for it and proudly show it off everywhere.  I've named it already; 'Wearable Wonders.' I hope it's a good baby.


PS
The  illustration is from a poem I wrote for Next magazine when I had my regular column there some years ago. It's called Cry Baby.

Yes, hello there Doctor,
Have you got a moment free?
(Oh God I need to see you,
Please spare some time for me).

Well, it's really for my baby,
He's crying quite alot,
(He screams all day and night
And I'm about to lose the plot).

The grizzling's fairly steady,
I was wondering, is it ears?
(Mine are fairly ringing
And I'm constantly in tears).

 Is there something I could give him
To help him settle more?
(Like a massive dose of morphine,
Or is that against the law?).

Yes, I know it might be teething,
But I just can't get him down,
(And if I don't get some sleep soon,
I'll go screaming round the town).

O.K, I'll try and rest, thanks,
Yes, it might just do the trick,
And thanks for your advice to me,
(What a useless #@*!&)




Tuesday, April 09, 2013

Tuesdays...





I have a friend who says 'Things will be different next Tuesday'. It's her maxim for life and I remember it when things are tough on Thursday.

Last week was my weekus horribilis creatively; New Zealand Post Children's Book Award shortlistings do your head in, no matter how resilient you think you are. So I'm very pleased to say that on Saturday, The Red Poppy made the Storylines Notable Book list; we have not been forgotten.  I didn't really think about how great that was until today, because Sunday was spent in a state of anxiety with our son's impending surgery. He is 22 and needed a rib removed- not for any aesthetic reason as Marilyn Manson was rumoured to have done, but because he had an interesting condition called Paget- Schroetter disease or Thoracic Outlet Syndrome that caused some worrying blood clots last year. There is always a risk with surgery, but I'm happy to say that he had it yesterday and has come through it beautifully. Tuesday has arrived and here we are, looking forward to next week.

Whilst waiting for him to come out of the operating theatre I finished the book I was reading. Melinda Syzmanik's 'A Winter's Day in 1939' (Scholastic). It is a superb and haunting tale based on her father's own history. It's the story of Adam, a 12 year old Polish boy whose family are transported to work in Soviet labour camps during WW2. There is a particular scene in the book that stayed with me. It was a metaphor for me for the way I was feeling on Monday; small and helpless whilst danger sniffed all around; praying that death would leave and hope would be restored.

I find drawing a calming thing in times of stress, and drew what was there in my head from Melinda's words. The pencil was in my hand before I had a chance to refuse it. I can draw anywhere and a hospital waiting room is no exception.  I'm not often compelled to draw scenes from a novel, but the images she evokes are so vivid I couldn't help myself. A Winter's Day in 1939 is being launched in Wellington on Saturday at The Children's Bookshop in Kilbirnie at 3pm. I don't think anyone will mind if you pop along and buy a copy. Least of all you. 



Wednesday, April 03, 2013

Rewarding Illustration




Disappointed about not being on the short list for the New Zealand Post Children's Book Awards? Of course I am. I would be a filthy liar if I said otherwise. I poured my heart and soul into the illustrations for David Hill's The Red Poppy. I started the project by declaring to myself that if this was the last book I did for any reason (death or disenchantment) that it would be one I'd be super proud of- that I could RIP on it. But it seems that this year trenches are not in vogue for picture books- although I am absolutely stoked that ' My Brother's War' a novel by David DID make the list- it's a superb read and at this point I extend my heartfelt (yes really) congrats to the shortlisted ones. It's a fantastic day for you and I HAVE been a judge before so I know the angsting that goes into the process and the certain knowledge that you will break the hearts of anyone who didn't make the cut. There are some really great books there and the judges have made really thoughtful choices. I also knew some weeks ago that I hadn't made the list (having been a judge I know how the notification goes) so it isn't a surprise to me today. 

So back to me and my obsession to be on the list- why? Well, the carrot on the award stick is sales. You get shortlisted, the book gets more publicity, people buy it, you get to fill the car with petrol/buy groceries for another day (you don't get to buy a Porsche because our sales figures in NZ are small because the population is small). It also makes you feel immensely validated  for your hard work I'm told (I have not been shortlisted for the Post Awards to date). You get metaphorically showered with petals on a sparkly podium. It's on the bucket list of people in this game. I guess I'll have to live another year- that's gotta be a good thing right? It's all put in to perspective for me by the blog of the lovely daughter of a friend  of mine who doesn't get to live another year. 

She has cancer and has 6 months to live. She is 19. Harriet is the bravest person I know and one of the most talented writers. She has a bucket list too. In 3 weeks she is going overseas with her family to visit the Anne Frank House in Amsterdam, to see the place of another girl who didn't make it her 20's but none the less left a remarkable impact on the world. I'm painting her portrait this weekend. I'm hoping it will be the best illustration I ever do. It doesn't need any award. I'm honoured enough.